
Lillian Schwartz is a pioneer in the field of computer animation. In the early 1970s, she became the official artist in residence at AT&T Bell Laboratories, IBM's Thomas J. Watson Research Laboratory and at Lucent Technologies Bell Labs Innovations where she would experiment with early computer graphics programs to create short works of film art. After studying traditional free-hand drawing while a nursing student at the University of Cincinnati, Schwartz became interested in incorporating technology into her artwork. Along with computer scientist Ken Knowlton, she helped create the image-generating programming language EXPLOR, with which she created many of her works in the mid to late '70s. In addition to her animation, Schwartz has also done research in the field of using computers to analyse the working methods of traditional artists such as Picasso, Matisse and Da Vinci by amassing large databases of their colour palettes and structures within their art. (from: http://www.undergroundfilmjournal.com/tag/lillian-schwartz/)
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Pangloss
2015
Tacit Expressions
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Twirlinx
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AZTEC
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Mood Changes
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2013NUMÉROS
2013Lily's Sea
2013
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2013The Beauty of Excess
2013Expressive Shapes
2013RGBCMY
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X-STRIA1
2013Before Before
2012
OHM+: The Early Gurus Of Electronic Music : 1948–1980
2005Morphing of the Telephone
1997Reflections
1994
The Lady or The Tiger
1990Beyond Picasso
1986The Museum of Modern Art
19843 Degree K #02
1982Rituel
1979Newtonian II
1978Newtonian I
1978Poet of His People
1978Veil of Years
1977L'oiseau
1977Bagatelles
1977
Trois Visage
1977
Nino
1977
Mime Control
1977
Ensemble #2
1977
Juggler
1977
Ensemble #1
1977
Dancer 2
1977
The Artist and the Computer
1976La Spiritata
1976Fantasies
1976Pictures from a Gallery
1976On-Line
1976Experiments
1976Alae
1975Kinesis
1975Collage
1975Mayan
1974Metathesis
1974
Metamorphosis
1974
Mirage
1974Galaxies
1974
Innocence
1973Papillons
1973
Googolplex
1972
Apotheosis
1972
Mutations
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Affinities
1972Mis-Takes
1972Mathoms
1972
Enigma
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Olympiad
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Some of My Best Friends Are...
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UFOs
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Pixillation
1970