
Michel Auder’s films, which span in length from five minutes to multiple hours, are all edited from the thousands of hours of footage the artist has casually shot throughout his life. Early on, Auder made a habit of carrying portable video-recording equipment on a daily basis, and so amassed a biographical reel that frequently captured his fellow artists in the New York art scene, including such personalities as Cindy Sherman, Larry Rivers, and, most famously, Alice Neel. Auder did not consider his practice to be factually driven, however: “It was not in any way a documentary, not to be related as truth. This work reflects my own feelings.” Auder’s approach to filming was largely inspired by Andy Warhol’s screen tests, and the experimental films of exponents of the French New Wave like Jean-Luc Godard.
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Fictional Art Film
2019High Life
2019The Course of Empire
2017Gulf War TV War
2017Phone content HQ6s02 BERLIN CAMERAROLL
2016
1967
2015Daytime Version of the Night
2013
Untitled (I Was Looking Back To See If You Were Looking Back At Me To See Me Looking Back At You)
2012Endless Column
2011
Narcolepsy
2011Shoppingheads
2009Confession
2009Blind Sex
2009Heads in Love
2009
Alice Neel Paints Margaret
2009
The Feature
2008Chelsea, Manhattan - NYC
2008It's Hard to Be Down When You're Up
2007Apocalypse Later - Hudson
2003Bitte Danke
1999
Birth of a Nation
1997My Last Bag of Heroin (For Real)
1993
Polaroid Cocaine
1993
Voyage to the Center of the Phone Lines
1993
Roman Variations
1991
Magnetic Notes, 1986-1987
1988
Brooding Angels
1988Chasing the Dragon
1982
Coupla White Faggots Sitting Around Talking
1981
Talking Head
198148 Hours in 8 Minutes
1979
Jesus
1979Seduction of Patrick
1979
My Love
1978
Made for Denise
1977
Chelsea Girls with Andy Warhol
1976Chronicles: Morocco
1972
The Valerie Solanas Incident
1971
Langlois
1970
Cleopatra
1970
The Stone Age
1970
Fun and Games for Everyone
1969
Keeping Busy
1969
Home Movie : Marrakech
1968Chromo sud
1968Homeo
1967