Born in 1937, Peter Campus studied experimental psychology at Ohio State College and film at the City College of New York. His early tapes explore the anatomy of the video signal in relation to human psychology and perception. "The video camera makes possible an exterior point of view simultaneous with one's own. This advance over the film camera is due to the vidicon tube, similar to the retina of the eye, continually transposing light (photon) energy into electrical energy... It is easy to utilize video to clarify perceptual situations because it separates the eye-surrogate from the eye-brain experience we are all too familiar with." Campus was one of a group of artists in the mid-70s who produced work in the experimental TV labs at WGBH in Boston and WNET in New York. In addition to numerous single-channel works, he has investigated the characteristics of "live" video through closed-circuit video installations and elaborate sculptural works whose structural components included video cameras, projectors, and monitors.
15 movies · 0 TV shows, newest first

shinnecock bay: leeward
2019
shinnecock bay: locks eddy
2019
Death Threat
2000Winter Journal
1997
East Ended Tape
1976
Four Sided Tape
1976
Third Tape
1976R-G-B
1974Set of Co-incidence
1974
Casual Relations
1973
Three Transitions
1973
Double Vision
1971
Dynamic Field Series
1971
Wind
1968Kiva
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