
A leading figure in independent and experimental cinema and audiovisual production from the late 1960s onwards, Miscuglio was the founder in 1967, with Americo Sbardella and Paolo Castaldini, of Filmstudio 70, the first Italian underground film club. During the 1970s she began her activity as a filmmaker and activist, taking part in the first Italian feminist collectives and films, and in 1976 she organized Kinomata, the first international women's film conference-festival in Rome, with Roni Daopoulo. At the same time, she allowed herself the creative and productive freedom of super8, creating small experimental works. At the end of the 1970s she chose to dedicate herself completely to directing, working mainly for television; one of the very few production fields in which women, albeit to a limited extent, had some room for manoeuvre. Miscuglio's activity is intense and multifaceted, but unknown to most, given the invisibility to which female creativity is often condemned even today - especially if carried out in independent contexts.
26 movies · 0 TV shows, newest first
La cospirazione
1992
Il Divino, lo strillone e altri
1992Il Lazio e la memoria
1990
Effetto Puglia
1988Frammenti di fabbrica
1986Percorsi metropolitani
1983Graffi sulla citta
1982A.A.A. Offresi
1981Morso d'amore
1981
I fantasmi del fallo
1980
Processo per stupro
1979
Frammenti di una vita d'eroina
1977Il rischio di vivere
1977Ritratti
1976Canti illuminati
1976
Anna’s Textures
1976
Maitreya
1976
Grazia a Grazia
1976
Rony
1976
Paola
1976
Puzzle Therapy
1976
Anna
1975
Fughe lineari in progressione psichica
1975
La lotta non è finita
1973
Vigilando reprimere
1972
The Adjective Woman
1971