Robert Fischer

Good Times: Dominik Graf on Directing the Cat

Jenseits von Gut und Böse: Christoph Fromm über 'Die Katze'

Alles auf eine Karte: Georg Feil über 'Die Katze'

Cinema Redefined: Jacques Rivette's L'Amour Fou Revisited

Jack Arnold Remembers The Incredible Shrinking Man

Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand

Core of Reality: Robert Blees on Douglas Sirk’s Magnificent Obsession

The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter

Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz

Life As It Is: Miloš Forman on Miloš Forman

Painting with Light: Nicholas von Sternberg on Josef von Sternberg

Weimar on the Pacific

Dietrich Icon

Homay King on 'Shanghai Express'

Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'

Budd Boetticher on the Ranown Cycle

Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias

The Beast Inside: Creating 'Wolf'

G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak

G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak

Sucker Punch Blues: A Look Back on John Huston's 'Fat City'

A Search For Truth: Robert C. Jones On Hal Ashby’s 'The Last Detail'

Program Notes: An Introduction To The Last Detail By Alexander Payne

About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail'

Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’

Pure Cinema: Joe Napolitano on Brian De Palma's Body Double

The Mysteries of Paris: Jacques Rivette's Out 1 Revisited

Traveling Roadshow

Outer Movement, Inner Movement

Hans Fromm on 'Phoenix'

Love/Work/Cinema: A Conversation with Christian Petzold and Nina Hoss

Love Letters

Return to Beethoven Street: Sam Fuller in Germany

The Poet and the Filmmaker: Volker Schlöndorff on Baal

Last of the Independents: Don Siegel and the Making of 'Charley Varrick'

Perspectives on Othello: Joseph McBride on Orson Welles

Swan Song: The Story of Billy Wilder's Fedora

Touching Death: Alejandro Amenábar on 'Tesis'

Rumble on the Lot: Walter Hill's Streets of Fire Revisited

Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'

Real Killer, Fake Nose: Richard Fleischer's 'The Boston Strangler' Remembered

Return to Philadelphia: George Litto on 'Blow Out'

Black and White in Color: Vilmos Zsigmond on 'Blow Out'

Rag Doll Memories: Nancy Allen on 'Blow Out'

A Winter's War: Keith Gordon on 'A Midnight Clear'

Ted Kotcheff's Gourmet Cinema

'Deep End': Remembering the Deleted Scenes

Starting Out: The Making of Jerzy Skolimowski's Deep End

The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited

Before Taking Off: Milos Forman’s Road to America

Making an American Movie

Erinnerungen an 'Väter und Söhne'

Of Love and Constraints

Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern'

Working with François Truffaut: Nestor Almendros, Director of Photography

Beyond Melodrama: Kathryn Bigelow on Douglas Sirk

A Tribute to Douglas Sirk by Allison Anders

Acting for Douglas Sirk

Working with Max Ophuls: Daniel Gélin on "Le Plaisir"

Working with Max Ophuls: Tony Aboyantz, Assistant Director

Working with Max Ophuls: Robert Christidès, Set Decorator

Working with Max Ophuls: Annette Wademant, Co-Writer

Working with Max Ophuls: Marc Frédérix, Assistant Decorator

Working with Max Ophuls: Daniel Gélin on "La Ronde"

Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"

Kurosawa and the Censors

Contract Kid: William Reynolds on Douglas Sirk

Requiem for a Killer: The Making of 'Blast of Silence'

Ernst Lubitsch in Berlin: From Schönhauser Allee to Hollywood

Dalton Trumbo: Rebel in Hollywood

Le Plaisir: From Script to Screen

Infinite Pleasure: Todd Haynes on Max Ophuls' Le Plaisir

Working with Max Ophuls: Alain Jessua on the Making of Madame de...

Maternal Overdrive

Moral Tales, Filmic Issues: A Conversation between Barbet Schroeder and Eric Rohmer

Reviving Harry Lime

A Cinema of Signs: Claude Chabrol on Alfred Hitchcock

Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram

Men of Mystery

The Making of Highlander

Daniel, the Wizard

Fassbinder in Hollywood

Monsieur Truffaut Meets Mr. Hitchcock

Will He Live or Will He Die: Walter Hill on Southern Comfort

Spinning Tales: Fiona Lewis on Brian De Palma's 'The Fury'

The Fury: A Location Journal

Expedition Amazonia