
Joyce Wieland (1931-1998) was an experimental filmmaker and artist, whose work challenged and bridged boundaries among avant garde film factions of her time. Her works introduced a kind of manual manipulation of the filmstrip that inscribed an explicitly female craft tradition into her films, while also playing with the facticity of photographed images. Wieland's output was small, but received considerable attention in comparison to other female avant garde filmmakers of her time. As both a gallery artist and a filmmaker, Wieland was able to crossover between those realms and garner attention and support in both. In 1963 Wieland and Snow moved to New York where they lived for ten years. She attracted critical recognition of her work but eventually moved back to Toronto. Wieland later divorced Snow and kept a low profile until her death in 1998 from Alzheimer's disease. She was made an Officer of the Order of Canada in 1982.
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Portrait of Snow
2016
Artist on Fire: Joyce Wieland
1987
Birds at Sunrise
1986
Home Movies 1971-81
1985
Motel Capri
1985
The Far Shore
1976
‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen
1974
Solidarity
1973Pierre Vallières
1972
Zorns Lemma
1970
Back and Forth
1969Dripping Water
1969
Reason Over Passion
1969Seminar
1969
Rat Life and Diet in North America
1968
Knocturne
1968The Mammal Palace
1968
Wavelength
1967
Standard Time
1967
For Life, Against the War
1967
A and B in Ontario
1967
Cat Food
1967Sailboat
1967
1933
1967
Hand Tinting
1967
Bill's Hat
1967
Manual of Arms
1966
The Sky Socialist
1966Water Sark
1965
Barbara’s Blindness
1965Patriotism Part II
1964
New York Eye and Ear Control
1964Patriotism
1964Peggy's Blue Skylight
1964Larry's Recent Behaviour
1963